I'm intrigued by materials but also by the lack of them; absence and technical constrains are a drive too. Different surfaces, various colors, a variety of tools…I'm anchored in reality but not always realistic. I work in and around the tension between the abstract and the concrete. There are layers of meaning and substance, the process is seen.
Icons and iconic shapes interest me, I strip them down to their naked form and interpret their existence in crude brushstrokes or boney lines of graphite.
I move around, I travel, I reorganize the studio. The itinerant artist makes do with little art supplies, I push the material. The question of when to stop is on my mind; my art is "stopped" rather than "finished".
I'm fascinated by the tradition of Word & Image.
Print making is my new passion.